January 26, 2010
No Matter Where You Go You Stay Where You Are
December 26, 2009
Days for Dreaming
November 22, 2009
A Payson Develops a Sense of Loss
November 15, 2009
Grumpy Bastard
November 13, 2009
Survived Opening Night
November 11, 2009
Illness
November 9, 2009
Late Nights
November 1, 2009
Late Nights
October 22, 2009
Could use some volt right about now
I'm so busy practicing for Guys and Dolls at the moment that I really don't have time to write a coherent post. So, I'll leave you with a paragraph I wrote freshman year about just how loverly piano playing is.
There is also power in the music I create myself. I play the piano constantly. I am currently learning Rachmaninoff’s Prelude in C# minor. It starts with three low fff triple octaves, then changes to ppp chords, each one with six notes, played by two hands with overlapping thumbs. The song stays quiet, switching between overlaps and octaves. It then shifts into a stream of triplets, twelve per measure. It is extraordinarily difficult, but even with my limited ability, I can still feel the melancholy tone as I play. Sharps, double sharps, and minor chords create a sadness that is reversed with a measure in D major before descending back into minor notes. No matter how jumpy I feel at its start, the song calms me as it plods along. I like the way the piece sounds, but I mostly enjoy the feeling it inspires within me.
That's the prelude I stopped playing last year after Harry got into orchestra for playing it. After that, I just felt inferior every time I practiced, and it was causing issues, so I moved onto brighter pastures, like Beethoven.
September 18, 2009
Sighting
June 7, 2009
Busy Me
- "In my corner, I could only really hear strings, the drum set, and the louder brass notes. However, I could tell that we improved greatly during the rehearsal process, and complemented the actors by the end of it. However, we could have been quieter." (this is a reference to the brass section in particular, who enjoyed blowing my eardrums when I sat over there)
- "The spotlights on the speaking characters on the wraparound that caused sun spots on my eyes if I happened to look up were undoubtably bright enough to draw the audiences attention."
- "The pit orchestra was often unconcentrated" (we had too much pulp, apparently)
- In response to a question asking who I admired in the production. "As a member of the pit, I saw very little of the actors or the technicians. However, I did admire some my fellow pit people. The one I was able to see the most was Harry, the keyboard II, who sat directly in front of me. I admired how focused he was. He talked very little, instead concentrating on his music. When my keyboard was unplugged by an overzealous cellist, and I accidently flipped off his trying to turn it back on, he managed to continue playing and not get lost, unlike me, who missed the entirety of Be Our Guest trying to catch up."
- "My least favorite moment in the play was in the Gaston reprise. I had to play octave As with my right hand extremely quietly, while staying on tempo. Unfortunately, my amp was far about 6 feet away from me, and I couldn’t hear myself. This made it immensely difficult to stay on the same tempo as the bases, who were right next to me, and I ended up not playing the As at all."
- "The fog during the transformation smelled bad."